Taylor Swift The country songwriter has had many collaborators over the years Liz Rose to legendary pop producers Max Martin And shell ridgebut this Jack Antonoff This probably left the biggest handprint on his discography.

Swift and Antonoff first teamed up in 2013 for “Sweeter Than Fiction,” which they co-wrote for the film. One Chance. They later collaborated on three songs from Swift’s 2014 album. 1989: “Out of the Woods”, “I Wish You Will” and the bonus track “You Are In Love”, inspired by Antonoff and his then-girlfriend, Lena Dunham.

The pair developed a close friendship in addition to his professional compatibility. Antonoff has contributed to all of Swift’s albums since then. 1989helping shape her distinctive pop sound. Afterwards Folklore Antonoff, who won the Album of the Year award at the 2021 Grammy Awards, wrote a sincere Instagram tribute To Swift.

“You’re the one who let me produce the first record,” he wrote. “Before you, I wasn’t a ‘producer’ according to herbalists. I wasn’t allowed into that room. “Then I met you, we came out of the woods and you said ‘this version’ and it changed my life.”

Swift also talked about Antonoff, who produces for artists including artists. Lorde, Saint Vincent And Lana Del Rey.

“(Jack’s) excitement and enthusiasm for songwriting is contagious,” he said New York Times In 2017. “He is such a source of happiness. That’s why everyone loves him. “I personally wouldn’t trust anyone who didn’t do that.”

Since Swift’s first album featuring Antonoff is officially a decade old, We decided to do the impossible: list the iconic duo’s 13 best collaborations.

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13. ‘Lover’

“Lover”, the song that defines the album and the period of the same name, was reminiscent of old times. 1989 Swift’s instrumentation relied heavily on piano and guitars. With its lyrical lines and anthemic chorus, Swift once again proved that no one writes better about matters of the heart than she does with “Lover.” Antonoff co-produced the song, but Swift was the sole writer of the song.

12. ‘Ivy’

This is one of Swift’s most underrated songs Always The piece feels like coming “out of the snow” and into a warm cottage heating tea on the stove. Finger-picked guitar and banjo lines provide a beautiful backdrop to the story of star-crossed lovers, with a seriously satisfying bridge.

National’s Aaron DesnerAnother of Swift’s frequent collaborators also worked on “Ivy,” so it doesn’t have as much of Antonoff’s signature sound as the other songs on this list.

11. ‘Anti-Hero’

“Anti-Hero” became the lead single MidnightSwift described it as “the first album we made as just the two of us as main collaborators (Jack and I did).” The song’s instrumentation is familiar territory for Swift and Antonoff (a drum loop and retro synths), but the overall sound is a more mature version of the work Swift and Antonoff began together. 1989.

Antonoff, who co-wrote and co-produced the song, said: Time He said in 2023 that “Anti-Hero” was “mostly” built around “a really weird synthesizer that has a different attitude every time you turn it on” and a Linn Drum beat.

“These are all things I didn’t have when I produced ‘Out of the Woods,’” he said.

10. ‘This Is Trying’

Folklore This was Swift’s first time collaborating with Dessner, but Antonoff’s contributions to the album are some of its strongest moments; “This Is Me Trying” is one of those highlights. The hypnotic track, featuring organs and horns, allows the poignant lyrics to shine.

“I pulled my car off the road, on lookout, I could follow my fears to the end,” Swift sings in the first verse.

A highly relatable account of hitting rock bottom, “This Is Me Trying” is the perfect song to show anyone who claims Swift only writes bubblegum pop or songs about her exes.

Antonoff wrote and co-produced the tune. (Swift’s then-boyfriend Joe Alwyn is also listed as co-producer.) And perhaps that’s because “This Is Me Trying” is in Swift’s lower register, but We I could hear it in Antonoff’s voice before he performed it at Ally Coalition’s 7th Annual Talent Showcase in December 2020.

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9. ‘Gold Rush’

The song “Gold Rush”, about an annoyingly good-looking person, is a more sophisticated version of this song. Reputation“Wonderful.” Only Always The song, written and co-produced by Swift and Antonoff, is one of the best songs on the album and should have been a hit.

Despite the track’s extensive instrumentation, which includes strings, horns, and organ, Swift’s gorgeous vocals are at the forefront, along with her clever lyricism.

8. ‘Guilty as Sin’

Some critics of Antonoff and Swift have complained that all of the duo’s collaborations sound the same, but they broke new ground with this sultry soft rock song. “Guilty as Sin” is catchier than many traditional pop songs out there Chamber of Tortured Poets with lush vocal harmonies and an expressive and melismatic chorus.

7. ‘Getaway Car’

Of all Antonoff and Swift’s works, “Getaway Car” is probably the most similar to a Bleachers song. But despite Antonoff’s clear influence, Reputation Lyrically, the melody is still undeniably Swiftian, with heavy verses and a very good metaphor in the chorus: the getaway car as an unfortunate backfire.

Even those with only a superficial understanding of Antonoff and Swift’s partnership will recognize “Getaway Car” as their musical love child. It’s epic, reminiscent of ’80s pop, and seriously catchy.

6. ‘You’re on Your Own, Son’

We I named it Midnight Swift’s second songbest quintet of all time for its satisfying lyrical twist, where the title transforms from an unfortunate fact of life to a comforting maxim. “You’re on Your Own, Kid” is one of Swift’s most personal and confessional songs, but it’s still relatable for anyone who feels like they can only rely on themselves.

Muted guitars and relatively sparse instrumentation make “YOYOK” feel as intimate as the lyrics. In the emotionally climactic final chorus, Swift kicks her soft, dreamy vocals into high gear, singing: “I looked around in a blood-soaked dress and saw something they could or couldn’t take / ‘Cause there were pages turned with hyperlinks.” “Everything you lose when you burn is a step you take.”

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5. “Everything’s So Fine (10 Minute Version) (Taylor’s Version) (From the Vault)”

Before anyone comes We To rank this masterpiece, consider that Antonoff did not contribute the original song in 2012. RedCo-written by Swift and Rose and co-produced by Swift and Rose Nathan Chapman. But the care Antonoff took in co-producing the highly anticipated 10-minute version must be commended. Red (Taylor Version) In 2021.

Instead of recreating the sound of the original “All Too Well,” Swift and her producer’s approach Christopher Rowe they more or less opted for “All Too Well (Taylor’s Version)” — Antonoff and Swift did something new for the 10-minute rendition. The production is dreamier and less bombastic, complementing the raw emotion of the additional lyrics.

4. ‘Mirrorball’

“Mirrorball” is one of Swift’s best-sounding songs to date. Between sparkling tambourine, warm guitars and prominent ethereal vocals, Folklore The melody is so beautiful that, upon first listen, it’s easy to miss how striking the lyrics are. Written and recorded in the early days of the COVID-19 pandemic, the song explores Swift’s struggle to stay relevant despite the fickle nature of fame.

“When they send the horse and the rodeo clowns home, I’m still on that tightrope / I’m still trying everything to make you laugh at me,” he sings.

3. ‘Out of the Woods’

Antonoff was still trying to get his bearings as a producer when he and Swift teamed up for this. 1989 to watch. His style was bold and brash, which is why this song remains so iconic. Featuring heavy synths, a powerful drum loop, and a choppy vocal hook sung by Antonoff, “Out of the Woods” was one of the defining songs of the era. 1989An album that changed the course of Swift’s career, confirming her pop star status.

Swift has also collaborated with tried-and-true pop producers Martin and Shellback. 1989but his decision to work with the then-unexperienced Antonoff on “Out of the Woods” and “I Wish You Will” proved that he was following his own artistic instincts. This risk would help shape Swift’s sound for years to come.

2. ‘Cruel Summer’

Swift and Antonoff’s St. “Cruel Summer,” which he wrote with Vincent, is pop perfection. It’s weird to call any of Swift’s songs a “sleeper hit,” but this one Dear The piece could have won this title by coming out on top billboard Hot 100 debut in October 2023, more than four years after its debut. The chorus is arguably Swift and Antonoff’s catchiest, and the cathartic bridge that begins with “I’m drunk in the back of the car” is so good it comes back again after the final chorus.

1. ‘August’

It’s hard to find a Swift song with production that better complements and serves her songwriting. Folklore“August.” Soaring strings and intense reverb match the wistful longing of the narrator, who misses “a moment in time” and the person with whom he shared that moment, even though he knows “it was never mine.”

Swift explained that she envisioned “August” as part of a trilogy of songs about a love triangle — “Cardigan” and “Betty” round out the trio — but the song stands on its own as one of Swift and Antonoff’s most evocative tracks.

“When we changed for the better it was enough to want / For me it was enough to live in hope of everything,” Swift sings in the bridge, which feels like the bittersweet culmination of coming of age. film.